Eden Brent
Eden Brent's piano playing and singing style ranges from a melancholic whisper to a full-blown juke joint holler. She's simultaneously confident and confiding, ably blending an earthy meld of jazz, blues, soul, and pop as she huskily invites listeners into her lazy, lush world.
That world lies just north of Greenville, Mississippi on the two-lane Highway 1, which follows the twists and turns of the river through fecund swampland, time-forgotten plantations, and blink-and you'll-miss-'em communities like Rosedale, Benoit, Wayside, and Grace before it dead ends into Highway 61 at Onward.
It was there that Brent was able to develop her gutsy vocal-and piano chops via family sing-a-longs and a 16-year apprenticeship with the late blues pioneer Boogaloo Ames, who ultimately dubbed his protégé "Little Boogaloo."
Yet much more than the blues flows through Brent's talented hands: Critics laud her "Bessie Smith meets Diana Krall meets Janis Joplin" attitude, compare her to jazz/pop dynamos Norah Jones and Sarah Vaughn, and wax effusively about her "whiskey-smoke" voice, which serves as a constant reminder that Greenville, nestled into a bend of the Mississippi River, is located a few hundred miles north of New Orleans.
With the 2008 release of her new album Mississippi Number One, Brent is now ready to take her place as one of the fresh voices propelling this vital American music forward. As Chip Eagle, publisher of Blues Revue, BluesWax, and Dirty Linen says, "in Eden's huge playing and singing you can hear the ghosts of Mississippi in duet with the future of the blues."
